looks like oil marbling - relates to Marijkas work - 'incompatible materials'
time/duration - good possibilities - good scale
mysterious "within the surface" - synthetic repels
silk receives colour in a pure way
changed the way Mon thought about cyanotype - Simon Hantai
fabric holding memory - documenting the process from the darkroom to the beach to installation
"active documentation" - the work is performing while we are here - agitated surface
the condition of the place that you show the work helps create the work
different sites as materials
Lisa Benson durational work
'embedded' - thinking about connection
see it more like a painting - fluidity of the fabric
scale as movement - full body viewing
what do you mean by immersive?
think about what structure to show them on - more connection to the site - temporal frames relate to the site
material memory
Sam Gilliam work - draping
landscape format - relationship to the site
georgette silk
Maurie Landers
Magic happens where methods collide - amys crit
chaos theory - a little thing can have a large ripple effect
system overriding aesthetics
body/mind connections
small = intimate
crafted logic - where does the image sit in this object and vice versa
thinking about time as a currency
cyanotypes actively remembering and sxposing themselves
bodily presence
performative aspect of work
light shining through fabric - enables materiality - jermaines crit
- emmafromont99